However, much of Semidome’s incredible soundtrack taps into the same ‘80s synth nostalgia as Kyle Dixon and Michael Stein’s Stranger Things score, using simple arpeggio loops and ambient moments to mirror the stark, lonely expanse you’re trying to escape. Set inside a living computer network in 2398, Nightgate’s mesmeric, shifting environment is a combination of Tron’s virtual world and the sleek augmented reality user interfaces of the near future. Stardew offers a much-needed chance to slow down, but it’s Barone’s music that reminds us of the rewards in doing so. The brilliant Stardew Valley is a welcome escape for fans of the gentle simplicity of beloved RPGs Harvest Moon and Animal Crossing, and Eric Barone provides an apt musical accompaniment.īringing to mind the quieter moments of Chrono Trigger, Barone offers us two hours of sparkling atmospheres that match the transcendental beauty players tap into while taking over the old family farm. Pass the Mountain Dew, lads, it’s gonna be a long night. You don’t exactly need James Blake whining you to sleep while you’re trying to obliterate a cyberdemon with a BFG9000 – you need raucous post-White Zombie tech metal with some synth-y ambience thrown in for color. It’s not subtle or measured by any means, and that works in the game’s favor. Gordon did a cracking job on the score for last year’s Wolfenstein: The New Order, a reboot of another of id’s beloved games, and he approaches DOOM with similarly breathless excitement. It makes sense that id Software tapped composer Mick Gordon to produce the soundtrack to their eagerly-awaited DOOM sequel. We’ve rounded up 10 of the best video game soundtracks of the year, from Mick Gordon’s crunchy (and rollicking good fun) DOOM score to Disasterpeace’s stunning blend of old and new on Hyper Light Drifter. That’s not to say this year’s AAA titles have been lacking – Uncharted 4, Dishonored 2, Final Fantasy XV and plenty of others had terrific soundtracks – but they weren’t quite as gripping or as innovative as those that were appearing just beneath the surface. Interestingly however, as the mainstream has been caught up with navigating a new era and nurturing their flagship franchises’ umpteenth installments, the most innovative developments in video game music have been on the indie circuit. But with the Oculus Rift, the Gear VR and Sony’s extremely popular headset for the PlayStation 4, we’ve suddenly hit a point where the dream of VR is quickly becoming a (ahem) reality. Remember the Nintendo’s Virtual Boy? Exactly. Now, those of you who’ve been gaming since before the internet was “a thing” should know that VR has long been promised and never really been delivered. FACT’s crew of avid gamers, Scott Wilson, Al Horner, John Twells, Miles Bowe and Lewis Gordon, round up the best of the bunch.Īrguably the biggest development in gaming this year has been the democratization of virtual reality technology. It’s been a big year for video games and a banner year for soundtracks.
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